All-time favorite quote

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Oldies but goldies: Groundhog Day (1993)

Director: Harold Ramis, Main Cast: Bill MurrayAndie MacDowellChris Elliott;

groundhog-day

Phil Connors (Murray) is a weatherman at a local TV station and for the past few years he’s been tasked to cover the “groundhog day” in Punxsutawney, PA, where the local “celebrity”, Phil the groundhog, gives prediction about the winter. Phil (not the groundhog, who’s a cutie) is arrogant, obnoxious and very self-centered and he thinks the trip is a waste of his remarkable talent and he takes it out on people, in particular his cameraman Larry (Elliott) and, occasionally, even Rita, his cute and kind producer (MacDowell). Phil goes through the motions hoping to be out of Punxsutawney asap but a terrible blizzard prevent them to leave and Phil wakes up and… it’s groundhog day again! Well, I might say, it never gets old to see the evolution of Phil, doomed/cursed to relive over and over again the same day with the same people doing the same things. At the beginning he uses this time-loop to his advantage (or so he thinks), then he feels lost and hopeless and, finally, he takes it as an opportunity to improve himself and do things for others. Bill Murray is a joy to watch and the script is just great. Delightful —7/10

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Girls (season 1)

Main Cast: Lena DunhamAllison WilliamsJemima KirkeZosia Mamet;

girls-season1

The stories of four girls in their early twenties living in New York City: Hanna and her roommate Marnie, Jenna and her cousin Shoshanna. We follow their everyday life and their struggles with work and relationships. Hanna (Dunham) is self-deprecating, aspiring writer but she has to face the dullness of regular job in order to pay her bills. She tries to live as much as possible in order to have lots of material for her stories but she ends up, more often than not, in weir/ridiculous situations that only increase her self-loathing. She also aspires to a nice boyfriend but she seems not to want to make an effort into building a proper relationship, she is “dating” Adam, a free spirit with a very unconventional uptake on life.  Marnie (Williams) is quite the opposite of Hanna, she is an assistant in an art gallery, first rung on the ladder of her dream career, she has a long-term boyfriend Charlie and she has got her act together, or at least it looks like that at the beginning. Jenna (Kirke) is beautiful, charismatic with a bohemian life-style and a penchant for making the world revolve around her. Shoshanna (Mamet) is still in college and she seems conflicted between being a serious, responsible girl or being glamorous a la Sex and the City. Director/writer Lena Dunham has a knack for making messed-up, disagreeable characters rather likable, so much that following the (mis-)adventures of these girls is quite addictive, I’m curious to see what comes next. —6.5/10

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The Selfish Giant

Director: Clio Barnard, Main Cast: Conner ChapmanShaun ThomasSean Gilder

This is a story about friendship between two boys, Arbor and Shifty, from the margins of the working class of the Midlands.  Arbor is outgoing and full of energy but he’s also prone to violent outbursts for which he takes medications. He lives with his mom and his junkie older brother. Shifty is more subdue and reserved, he’s kind, soft-hearted and tries to be responsible. He is the eldest of a large brood and his parents can barely scrap a living. Arbor and Shifty are always out and about, both to amuse themselves and to get a penny. After being kicked out of school for fighting, they enter the shady world of metal scrappers and its borderline or outright illegal activities. They befriend Kitten, the owner of the local scrap yard, and rent his cart and horse to wander around town and collect metal. As they earn some money, they see how they could earn more and Arbor gets bolder and reckless in his capers to obtain quality copper. Shifty acts like the voice of reason and he’s more concerned about the well-being of people and horses. The two boys have a fall out and they reconcile only for tragedy to strike. This is a heartfelt and engaging film made by a skilled and keen observer of mankind. The two young actors are just brilliant and the absence of a music score makes each scene more relatable and powerful. Clio Barnard is a director to watch, her style reminds me of  Andrea Arnold (Fish Tank) and  Cate Shortland (Somersault).  Compelling —8/10

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Like Father Like Son

Director: Hirokazu Koreeda, Main Cast: Masaharu FukuyamaMachiko OnoYôko MakiRirî Furankî

Family drama in modern Japan: Ryota and Midori, a well-to-do couple, discovers after six years that their son has been swapped at birth with someone else’s. We follow the slowly unfolding of events from the first meeting with the other couple, who owns a small hardware store, to spending time with the other child and getting to know him and his family. It is interesting to see the very different interaction of the fathers with their sons and between the families, the viewer can appreciate cultural nuances and rich subtext due to the dissimilar social background. The film focuses in particular on Ryota, who is rather distant and strict as a father, more worried about making his sweet, mellow son stronger and independent, to prepare him for the future, than to actually spend time with him. When he finds out that his child is not biologically related to him, he starts to question everything about his son and to yearn for one more like him. It is a journey of introspection for Ryota, he struggles with his own daddy issues and tries to decide what is the best way to resolve the situation. The good performances of all the cast and the sure hand at the helm make the film absorbing and touching. —8/10

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Favorite quote of the moment

christina-complimentbrain

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The Girl Who Leapt Through Time

Director: Mamoru Hosoda, Main Cast (voices): Emily HirstAndrew FrancisAlex Zahara

the_girl_who_leapt_through_time_wallpaper_3-1280x1024

Makoto is a teenage girl going about her normal life: school, playing baseball with her best friends Chiaki and Kosuke, wondering about her future and dealing with minor set-backs. One day something weird happens to her (guess where… in the science lab… of course!) and Makoto discovers that she can leapt back in time and re-live events in a different way.  She starts using her newfound powers for rather silly things: avoiding embarrassing conversations with Chiaki, acing a math test, fixing Kosuke up with a cute but shy girl and other mundane incidents. Makoto is pretty happy with herself until something terrible happens and she finds out more about the origin of her powers. It is a nice story with a good pace and with all-round characters. The animation is quite good although not perfect, some minor details of bodies and movements are just wrong. Anyway it is a very pleasant film and a good choice if you need some anime fix (and have already seen everything from Miyazaki and Kon). —7/10

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House of Cards (season 1)

Main Cast: Kevin SpaceyRobin WrightKate MaraCorey StollMichael KellyKristen ConnollySakina Jaffrey;

house-of-cards-season-1

Kevin Spacey is Frank Underwood, devious and machiavellian Congressman of South Carolina and House Majority Whip for the Democrats. After being blind-sided by the newly elected president and denied the position of Secretary of State, he decides to seek revenge with the help and support of his equally cunning and ruthless wife Claire (Robin Wright), head of an environmental NGO. Frank is also aided in his enterprise by faithful right-hand/consiglieri Doug (Micheal Kelly) who is not afraid of doing the dirty work, and ambitious, “new-media” journalist Zoe (Kate Mara), with whom he strikes a quid-pro-quo deal. Peter Russo (Corey Stoll), the rookie Congressman from Pennsylvania, is volunteered to participate in Frank’s game, well… more a “he received an offer he couldn’t refuse” type of situation. We see the characters move in this world of political maneuvering, back-room bargains and shady compromises, quite stunning in its infinite shades of gray. I haven’t seen a show this impressive since The Wire (well… Boardwalk Empire comes very close). The acting is brilliant and Kevin Spacey reaches an incredible level of bravura, and I love his breaking-the-fourth-wall monologues! The cinematography and the directing is top-notch, I’ll just say that the first two episodes have David Fincher at the helm. Last but not least the writers, chief among them the creator of the series Beau Willimon (The Ides of March rings a bell?), don’t drop the ball for a moment and keep you wondering about Frank’s end game. So if you like political drama, gritty and dark with a healthy dose of cynicism, this is for you, if not… well, it’s your loss. —9/10

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The Wolf of Wall Street

Director: Martin Scorsese, Main Cast: Leonardo DiCaprioJonah HillMargot RobbieKyle ChandlerJon Bernthal

This new Scorsese-DiCaprio collaboration is about the financial scams in Wall Street in the late eighties-early nineties, a la Gordon Gekko so to speak. It is based on the true story of Jordan Belfort who started his career as stockbroker on the Black Monday in 1987 and then relentlessly pursued money and wealth until the FBI cornered him and left him no choice but to collaborate in order to avoid a very long permanence in jail. In perfect Scorsese style we are spared nothing of the way of life as obscenely rich brokers : wild parties, sex, booze and, most of all, drugs…of all kind. The film is three-hours-long but it barely registers, the script flows without an itch and keeps you interested and involved, all due to Terence Winter’s skills. There are some memorable, hilarious scenes and several moments will make you laugh out loud. Leonardo DiCaprio gives an impressive performance  as Jordan Belfort and special kudos go to Jonah Hill and Jon Bernthal.  Another notch on Scorsese’s belt, distinctive and intense. —9/10

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Mob City (TV mini-series)

Main Cast: Jon BernthalMilo VentimigliaNeal McDonoughAlexa DavalosRobert KnepperEdward Burns;

mob-city

Frank Darabont tries his hand at TV again (after The Walking Dead). This time it is about gangsters and cops in L.A. in the late forties and, let me tell you, it is a cloyingly sweet love letter to the noir genre. You get all the cliches: the grey cop, the femme fatale, the righteous policeman, the fixer, the corrupt cops, the mob boss, the ruthless hitman, the shady bar, the glamorous nightclub, blackmailing, tons of night scenes and rain puddles (in L.A.? sure!). The attention to details into recreating the noir genre is borderline OCD but it is an empty exercise, the story is flat and rather boring. Notwithstanding the brave efforts of the actors and the lovely soundtrack the six episodes end up being uninteresting and predictable. Pity, it completely missed the mark. Watch L.A. Confidential to see how it’s done right. —5/10

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Favorite quote of the moment

Buffy-huh

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The Way, Way Back

Directors: Nat FaxonJim Rash, Main Cast: Liam JamesSam RockwellSteve CarellToni ColletteAllison Janney

14-year-old Duncan (James) goes on vacation with his mother Pam (Collette), her boyfriend Trent (Carell) and his daughter. They are staying in Trent’s summer house in a small town on the coast of New England, in a well-to-do neighbourhood. Duncan is rather introverted with low self-esteem and matters are made worse by Trent’s overbearing and unkind attitude. His mother is not particularly helpful, being submissive and too involved in a “spring break for adults” with Trent and his friends. Duncan finds some solace in his lonely bike rides, during which he meets and befriends Owen (Rockwell), the manager of the local water park, who is an easy-going guy with a great sense of humor and a kind streak. Owen gives Duncan a job at the park and helps him to come out of his shell and build his self-confidence. This film might seem a rather typical coming-of-age story but the balance between drama and humor is so well calibrated, the cast, starting with young James, is just brilliant that is much more than that. Faxon and Rash are great at both writing and directing, I’m curious to see what they will come up with next. A nice surprise and heartwarming treat. —8.5/10

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Mandela: Long Walk to Freedom

Director: Justin Chadwick; Main Cast: Idris ElbaNaomie HarrisTony Kgoroge, Riaad MoosaJamie Bartlett

Nelson Mandela’s story: from his early days as brilliant lawyer defending black people to joining the ACN and the non-violent protests against the apartheid. He then moves to more extreme forms of fight like bombing public facilities and he is arrested and convicted to a life sentence. We see Mandela and his fellow leaders of ACN growing old in prison while the unrest in the country turns into open revolt, mainly lead by his second wife Winnie. It is quite interesting seeing both his private and public life, how they intertwine and evolve, and his relationship with Winnie, in a manner, quite crucial for the end of the apartheid in South Africa as well. The film ends with SouthAfrica’s difficult transition to a proper democracy and the election of Mandela as president. Idris Elba does a wonderful job as Mandela, the right mix of charisma, energy and compassion, but not devoid of flaws, making him very human. Naomie Harris shows her acting chops and is quite convincing as Winnie Mandela. All in all it is not only interesting but also a compelling film. I particularly enjoyed the lighting and the colours of the photography, accurately depicting the different moments in history. Moving and uplifting. —8/10

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Four Rooms

Directors:Allison AndersAlexandre RockwellRobert RodriguezQuentin Tarantino; Main Cast: Tim RothJennifer BealsAntonio BanderasQuentin Tarantino

Four different episodes, four different directors, one hotel and one protagonist: Ted the bellboy (Roth). A mix of surrealism and general weirdness with a touch of Tarantino’s style. Ted, as the only staff member on duty on New Year’s Eve, has to tend to the needs of the hotel’s guests by himself, he ends up meeting really peculiar people and satisfying very strange requests. We will meet a covenant of witches, a rather kinky couple, unruly children and a movie star with his entourage. You might feel the diverse hands on the helm for each episode but there is no feeling of disconnection. Roth is brilliant and all the supporting cast is spot-on, special kudos to Tarantino and Banderas. Particular. —6.5/10

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Death Comes To Pemberley (TV mini-series)

Main Cast: Matthew RhysAnna Maxwell MartinMatthew GoodeTrevor EveJenna ColemanTom Ward;

death-comes-to-pemberley

Have you ever wondered what happens to Elizabeth Bennet and Mr. Darcy after they get married? Well, this is the TV adaptation of P.D. James’ take on it. It is less about proper manners in polite society and witty exchanges and more about a murder mystery. Wickham is yet again up to no good and the shades of Pemberley are at risk to be thus polluted…Elizabeth and Darcy’s relationship is put to the test but all will end well. There are few minor flaws: some anachronistic details and some dialogues that are a bit out of character; however the three episodes are quite enjoyable and entertaining. The cast is very good, bringing their own interpretation of the characters, costumes and settings are splendid, Pemberley in particular. If you love these kind of forays into “Austenland” I also suggest Lost in Austen. Charming —7.5/10

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Emperor

Director: Peter Webber, Main Cast: Matthew FoxTommy Lee Jones

Historical film, or at least based on true events, about the American occupation of Japan right after the end of World War II and how they dealt with its emperor, Hirohito. General Fellers (Fox) is tasked by General MacArthur (Jones) to investigate and determine if Hirohito is a war criminal and should be executed as such. His job is facilitated by his knowledge of the Japanese culture, due to his love affair with Aya, a woman Fellers met in college and than stayed with in Japan before the war. However he seems more focused, at times, on his frantic search of Aya, hoping against hope she survived the destruction caused by the war. We get glimpses of political maneuvering on both American and Japanese side, which would have made a more intriguing plot if developed, but mostly we are drowned in the self-righteousness of the protagonist, which is uninteresting and stale. Fox does his best and he is a good fit for the character, Jones brings his usual energy to his performance but it is not enough to save the film. Insipid —5/10

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2 Guns

Director: Baltasar Kormákur, Main Cast: Denzel WashingtonMark Wahlberg

It begins like a regular story about crooks: two mid-level criminals pull a heist at a small bank, they are after the security boxes. However we find out that one is a DEA agent and the other works for the Navy’s intelligence…the plot already thickens but, apparently, it is not enough, the CIA is also involved doing the dirt with all the drug cartels in Mexico. Everything that could go wrong for our heros will and the proverbial shit hits the fan, unfortunately for the viewers nothing is really new and it is very boring. Both Washington and Wahlberg are doing bidimensional characters and they are not making any efforts. The support acting is so cliched that it seems a bunch of caricatures. Compared to this film Walker Texas Ranger is like a shakespearean play. Trite and dull. —2/10

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New Year quote

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Christmas quote

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The Counselor

Director: Ridley Scott, Main Cast: Michael FassbenderPenélope CruzCameron DiazJavier BardemBrad Pitt

Cormac McCarthy’s second attempt as a screenwriter leaves me with mixed feelings. It’s a dark tale of choices and consequences, somewhat between a Shakespearean tragedy and a Coen’s film. Michael Fassbender is our anti-hero, involved with unsavory people due to his profession as a defense lawyer. He decides, out of need and greed, to enter the risky but highly remunerating  business of drugs with the help of two longtime associates (Javier Bardem and Brad Pitt), who are quite savvy when it comes to dealing with Mexican drug cartels. Someone else’s greed and fate will throw a wrench in his plan and tragedy will ensue. The dialogues and all the scenes with the main characters are more suited for a play than a movie, so much that the stunning cinematography, typical in a Ridley Scott’s film, seems wasted. There are gruesome deaths and a very cynic view of the world but the film lacks conviction about its grittiness, maybe in the hands of the Coen brothers we would have seen something grimmer but more cohesive. Anyway the acting is top-notch and it is a pleasure to watch.  —7/10

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