Tag Archives: Brad Pitt
Here’s something fun I came up with as answer to John’s new challenge: Crime Cast-A-Thon! You can check his post for the details (and rules) but long story short you need to put together a crew of expert criminals to steal the Maltese Falcon, which has been recently discovered and will be displayed at the MacGuffin Museum of Ancient Artifacts.
After long pondering and evaluating strengths and weaknesses, here is my dream team of criminals to pull this heist.
Aisha is resourceful, smart, charming and deadly. Her attention to details happily complements her ability to see the big picture and plan ahead, which makes her the perfect choice to be the brain of the operation.
Every leader needs a capable right hand who keeps track of who is doing what and makes sure everything goes smoothly. Rusty is the man for the job bringing to the table his smooth-talker skills and his ability to read people.
In this day and age, you cannot plan a heist without a IT expert but why choose your average brilliant nerd when you can have Mai Linh who’s not only tech savvy but has mad fighting skills!
Organising a “job” always requires all kinds of materials, devices and vehicles so who better than Red to provide anything the crew might need? If he can do it in jail he will thrive in the free world.
A mind for business and a body for sin, con-artist extraordinaire and perfect lure Sydney Prosser will charm your wallet, bank account, personal passwords or whatever she needs out of you… with style.
Last but not least, a wheel man with unparalleled skills, steel nerves and good in a tight spot: the Driver. He goes like the wind and he never gets caught, plus he can keep his mouth shut.
In a vain attempt to keep up with all the films I watch I came up with this new series of posts. The idea is to bundle up speedy reviews of the movies I saw at the cinema and at home for which I have neither the time nor the inclination to write a full critique. The posts will be distinguished in two types: “at the pictures” and “at home”. So, without further ado, here’s January selection of films:
The Lobster: intrigued by a quirky trailer and some good reviews, I went in with high expectations for a captivating indie movie with a great cast. I came out sorely disappointed and confused. The film starts with an engaging premise of a near future society with a little twist in its social mores but, then, it loses momentum making the plot more complicated and without a clear direction or thesis. Colin Farrell and Rachel Weisz gives solid performances but it’s not enough. Missed opportunity —4/10
Black Mass: it aspires to be a new Goodfellas but doesn’t have the guts to go all the way. Irish mob in the seventies fights the competition with the help of complacent FBI agents: it sounds good on paper but it doesn’t fully deliver. Johnny Depp’s chameleonic transformation into James “Whitey” Bulger, who ascends from petty criminal in South Boston to FBI’s most wanted status, is convincing but lacks bite. Notwithstanding the efforts of a great cast, Joel Edgerton and Benedict Cumberbatch in particular, the film has an uneven pace and not enough tension to win me over. I wonder what Scorsese would have done… oh wait, he made The Departed! No guts, no glory —6/10
The Hunger Games: Mockingjay part 2: typing this long title makes me already weary! First off: splitting the last part of a trilogy in two just to milk every possible dime from the audience is not cool, especially when there’s no real need for it. The story picks up exactly where it left off but a year of waiting it’s way worse than commercial breaks to get back into the rhythm and care for the characters. So Katniss and her ragtag gang of heros need to kill President Snow to finally end the civil war in Panem and it seems that they go at it all the wrong ways; I haven’t seen so many useless deaths since George Clooney’s in Gravity. Anyway, the good guys wins but there’s a price to pay…duh! It felt flat and unengaging and the multiple endings do not help. Watch on TV —5/10
The Big Short: Adam McKay takes on the not easy task to explain the root causes of 2008 financial crisis using as a starting point the eponymous book wrote by Michael Lewis. He takes a few liberties with the source material but he succeeds in getting through the most important facts and information with clever and funny breaking-the-forth-wall speeches and using Ryan Gosling’s character as guide for the audience. With a stellar ensemble cast at his disposal, McKay skillfully tells the story of a few individuals who saw the end of the real estate bubble coming and all the problems connected with financial derivative products. Despite the complicated and, some might say, dull subject the film is well-paced and funny with convincing performances. Special kudos to Christian Bale! Relevant and entertaining —7.5/10
Cormac McCarthy’s second attempt as a screenwriter leaves me with mixed feelings. It’s a dark tale of choices and consequences, somewhat between a Shakespearean tragedy and a Coen’s film. Michael Fassbender is our anti-hero, involved with unsavory people due to his profession as a defense lawyer. He decides, out of need and greed, to enter the risky but highly remunerating business of drugs with the help of two longtime associates (Javier Bardem and Brad Pitt), who are quite savvy when it comes to dealing with Mexican drug cartels. Someone else’s greed and fate will throw a wrench in his plan and tragedy will ensue. The dialogues and all the scenes with the main characters are more suited for a play than a movie, so much that the stunning cinematography, typical in a Ridley Scott’s film, seems wasted. There are gruesome deaths and a very cynic view of the world but the film lacks conviction about its grittiness, maybe in the hands of the Coen brothers we would have seen something grimmer but more cohesive. Anyway the acting is top-notch and it is a pleasure to watch. —7/10