Tag Archives: Mia Wasikowska

Quick ‘n’ Dirty: January at home

Here’s my second post devoted to speedy reviews of films I watched on my comfy couch at home during the past month. It’s a very eclectic selection that well reflects the wide range of movies I end up seeing.

A.C.A.B (All Cops Are Bastards): tough and unflinching look at the life of four cops in Rome: three veterans and a rookie. They are part of a riot unit, usually deployed for security at the stadium during football matches, and their job ain’t pretty! Stefano Sollima doesn’t spare any detail in showing how these people live, think and react to various situations. The compelling performance of all the cast, especially Pierfrancesco Favino, carries the viewer along and sells the story effectively. Intense —7/10

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Pawn sacrifice: the story of Bobby Fischer (Tobey Maguire), wunderkind of the chess world, and his epic battle of wits with Boris Spassky (Liev Schreiber) in 1972 for the title of world champion. Notwithstanding Maguire’s solid performance, this is a run of the mill drama, formulaic and with no bite or surprises. Fisher’s egotism and paranoia make it even harder for the viewer to root for him, which turns the whole story in a rather pointless exercise.  Off-putting —5/10

 

Clueless: Emma meets Mean Girls with a very poor outcome! Popular and beautiful Cher (Alicia Silverstone) decides to help Tai (Brittany Murphy), a new and very naive student, to fit in and navigate the ups and downs of high school life. Her plan is a little too successful and has some unexpected and unwanted results. Of all the high school themed films I’ve seen, this is a real miss: no sass, no heart, no epic or quotable scenes. The characters are neither relatable nor endearing enough, even a very young Paul Rudd. Lame —4/10

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Chasing mavericks: my soft spot for surfing flicks led me to watch this one.  A scruffy-looking Gerard Butler plays Frosty Hesson, Santa Cruz surfing legend, who reluctantly become mentor and father-figure to young Jay Moriarity. The boy is a surf prodigy and wants, more than anything, to ride mavericks: the biggest waves on Earth. What immediately came to mind was this quote from Point Break: “Big-wave riding’s for macho assholes with a death wish.”, however this film is an inspirational tale of giving everything one’s got to realise one’s dreams (based on a true story). The surfing scenes are thrilling and brilliantly shot. Enthralling —6.5/10

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Jane Eyre: to get my regular fix of period drama I’ve re-watched the 2011 adaptation of this classic novel, helmed and beautifully shot by Cary Fukunaga (before he went on and showed the world his mettle with True Detectives). Poor, plain Jane (skillfully played by Mia Wasikowska) finds home and love in the old manor of Mr. Rochester (Fassbender), only to have everything taken away by a cruel destiny and deceit. Fassbender fits well the shoes of the doomed, romantic hero and, of course, we know that there’s a happy ending to warm the cockles of our heart. Soothing —7/10

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Narc: a dark and gritty tale of undercover cops in Detroit; Joe Carnahan does not pull punches and takes the viewer into a harsh world, aptly shot in hues of blue and gray. Jason Patric and Ray Liotta truly inhabit their characters and play off of each other very well. The adrenaline-fueled opening scene is a gem of camera work and perfect introduction to the story, that alone makes worth watching this film. Uncompromising —7.5/10

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Death proof: I have finally sat down and watched the lesser film of Tarantino’s oeuvre from start to finish, having seen bits and pieces throughout the years. What can I say? It’s a self-indulgent homage to B-movie/horror flicks of the seventies, chock-full of pop culture references, muscle cars and foot fetish. As expected, there are some tough-as-nail ladies who will take matters in their own hands and then there’s Kurt Russell…who is having a blast as a sociopathic stuntman who stalks girls and takes them on their last ride. You need to be in the right mood for this one. Crackpot —6/10

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Only Lovers Left Alive

Director: Jim Jarmusch, Main Cast: Tom HiddlestonTilda SwintonMia WasikowskaJohn HurtAnton Yelchin;

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Every film by Jim Jarmusch feels like discovering a hidden treasure. The indie auteur par excellence gives us a story about love, darkness and the beauty of simple things, an extremely unusual take on a current mainstream theme: vampires. I know what you are thinking: “Vampires, seriously! Haven’t we seen and endured enough!?!”; well this is Jarmusch, give him a chance, you won’t be disappointed. The viewer is introduced to the titular lovers with a few masterful scenes. Adam (Hiddlestone) is a reclusive, underground musician with a penchant for science and technology who settled in Detroit (do I see a subtle homage/reference to Terry Gilliam in Adam’s tech contraptions? Maybe, maybe not). Eve (Swinton) is a book-lover (I used to pack like her before the advent of e-readers) and an aesthete, who resides in Tangier. They are both centuries-old vampires but they have found a non-violent way to feed, with the help of compliant doctors, not so much for moral qualms but to avoid hassles and prevent disruptions of their quite life. The audience makes also the acquaintance of Ian (Adam’s agent/helper), friendly, solicitous and  human, and Kit Marlowe, vampire, writer and old friend of Eve. Adam and Eve (always appreciate Jarmusch’s irony) have been together for a very long time and when Eve realises that Adam is depressed (again) about the state of the world, she rushes at his side.  We see them spending time together, in contented simplicity, talking about their past and present and sharing their interests. It is a rather alluring description of long-lasting love and friendship, that will go on with its perfect harmony, as in “my vegetable love should grow, vaster than empires, and more slow” (Andrew Marvell). Their domestic bliss is however shattered by the arrival of impulsive and reckless Ava, Eve’s sister. A poor judgement call on Ava’s part forces Adam and Eve to flee Detroit and go back to Tangier, where more woes await them. It is a haunting film, it feels like that place between sleep and awake. The captivating shots of a deserted Detroit and teeming Tangier tell a whole story by themselves, juxtapose as metaphors for Adam and Eve’s state of mind. The magnetic performances of Hiddlestone and Swinton (eerier than ever) and a mesmerising soundtrack complete the movie and make it a little gem. Beguiling —8/10

 

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