March 31, 2016 · 11:20 pm
Director: Juan José Campanella; Main Cast: Ricardo Darín, Soledad Villamil, Pablo Rago, Guillermo Francella, Javier Godino;
I was really looking forward to watch this film and my expectations weren’t disappointed! It’s an engaging, multi-layered story that intertwines events in the mid-seventies and in 1999, all connected to a homicide investigation. Benjamin (Darin) is a retired Argentinian federal justice agent in 1999, he’s writing a novel based on an old case with the hope of understanding it better and finding some closure. In 1974, Benjamín, his assistant Pablo Sandoval (Francella), and newly hired department chief Irene Menéndez Hastings (Villamil) were personally affected by the brutal rape and murder of Liliana Coloto, in particular after witnessing the extreme grief of her husband, Ricardo Morales (Rago). They doggedly pursue the investigation, notwithstanding the incompetence and the willful near-sightedness of the justice system, finally zeroing on Isidoro Gomez (Godino) as the real killer. I won’t add more details about the plot to avoid spoilers for those who have not seen this film but rest assured there are some interesting twists.
Campanella expertly juggles the past and present storylines, making the viewer slowly discover different sides of Benjamin while he builds up the case, in the past, or he revisits it, in the present. Through his eyes, we get to know the other key players and see different explanations of events he didn’t witness directly, which are especially intriguing since one of the main themes of the film is about remembering the past and being stuck in it. Although Benjamin is aware that historical accuracy is not paramount for the novel, the process of revisiting the case is a necessary step to be able to move on also with his personal life.
The director works flawlessly all the technical aspects of the film and keeps the viewer engaged from start to finish. There are some beautiful shots of interiors and of Buenos Aires that complement well the brilliant performances of the cast. Darin is the soul of the story while Villamil is the heart.
As a final note I must say that now that I’ve seen this film I appreciate even more the ambiguity of the title: “sus” means not only “their” but also “his” or “her”. Riveting —9/10
This post is part of the Blind Spot Series 2016, a blogathon organised by Ryan at The Matinee
Filed under Blind spot series, Seen at home
Tagged as Argentina, Buenos Aires, crime story, Guillermo Francella, Juan Jose Campanella, murder investigation, Pablo Rago, Ricardo Darin, seventies, Soledad Villamil
February 14, 2016 · 3:17 pm
Creator:Noah Hawley; Main Cast: Kirsten Dunst, Patrick Wilson, Ted Danson, Jesse Plemons, Bokeem Woodbine, Jeffrey Donovan, Zahn McClarnon;
After a brilliant first season inspired by the Cohen brothers’ masterpiece, series creator Noah Hawley manages to outdo himself. Following the new fad in television of anthology series, this time around the story is set in 1979 between Luverne, Minnesota, Fargo, North Dakota, and Sioux Falls, South Dakota with a brand new cast and another “true crime” tale.
A young Lou Solverson (Wilson), State Patrol officer and Vietnam veteran, investigates a multiple homicide case involving a judge and the disappearance of Rye Gerhardt (Kieran Culkin), the youngest son of a local crime lord based in Fargo; helping him piece things together is his father-in-law, Hank Larsson (Danson), Sheriff of Luverne. The investigation will lead them to a colorful collection of characters that includes Ed (Plemons) and Peggy Blumquist (Dunst), a Luverne’s butcher and his wife, who are not exactly law-abiding citizens, and the Gerhardt family, kingpins of North and South Dakota. Led with iron fist by Otto (Michael Hogan) until his stroke and then by his wife Floyd (Jean Smart), they are ruthless and fearsome, in particular Dodd (Donovan), the eldest son, who has big dreams of building an empire and champs at the bit. However his big dream is thwarted by an encroaching criminal organisation from Kansas City with expanding ambitions of its own. When negotiations for a peaceful merger fail, Mike Milligan (Woodbine), is left to deal with the Gerhardt. He is skilled enforcer with plenty of street smarts, and aided by the Kitchen brothers (Todd and Brad Mann), slowly works toward his goal of wiping out the competition.
The stage is set for an interesting tale of intertwined stories with very engaging and well-rounded characters and it doesn’t disappoint. The vicious confrontation between the two criminal organisations is the perfect foil for the struggle of Lou and Hank, both decent reasonable men, to make sense of the blood trail they are following. Wilson and Danson have great chemistry and embody their characters wonderfully, giving them depth and humanity that make them very relatable. Durst and Plemons are equally great as Peggy and Ed, normal folk who are swept into a life-changing situation and become a little detached from reality. Special kudos go also to Nick Offerman as Karl Weathers, the town lawyer of Luverne, and Zahn McClarnon as Hanzee Dent, right-hand man of Dodd and enforcer of the Gerhardt clan. The script is strong and the few lulls in the pace are well repaid afterward. Moreover there are some very inspired cinematic choices that add charm to the already beautiful visuals. Engrossing —8/10
Filed under TV-shows
Tagged as anthology series, Bokeem Woodbine, crime story, drama, Jeffrey Donovan, Jesse Plemons, Kirsten Dunst, Minnesota, Nick Offerman, Noah Hawley, North Dakota, organised crime, Patrick Wilson, seventies, South Dakota, Ted Danson, Zahn McClarnon