Category Archives: Seen at home

Empire State

Director: Dito Montiel, Main Cast: Liam HemsworthMichael AngaranoDwayne JohnsonEmma Roberts

Boy dreams to become a NY policeman but he ends up becoming a security guard for an armored car depository.  His dream in tatters, he decides to organise a heist at said depository with the help of his best pal, a petty criminal. Things get complicated, then messy and finally they spiral out of control. Michael Angarano’s performance and the characterisation of the Greek neighbourhood in Brooklyn are the only noteworthy things of the whole film. They reminds me of James Ransone’s character and the “Greek” connection in season 2 of The Wire; ironically, Ransone plays here an FBI agent while Paul Ben-Victor is the father of the lead and an ex-cop. For the rest…well, Liam Hemsworth has the emotional range of a flatworm, which makes me regret the absence of Channing Tatum, Montiel’s favorite actor, and it is something, because I’m really not a fan of the guy! Dwayne Johnson as the tough, good cop is utterly forgettable and Emma Roberts seems like she dropped in by chance. Montiel had a good idea but he comes up short. Wasted opportunity! Watch “A Guide to Recognizing Your Saints” instead.  —5/10

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Oldies but goldies: From Dusk Till Dawn (1996)

Director: Robert Rodriguez, Main Cast:  Harvey KeitelGeorge ClooneyJuliette LewisQuentin TarantinoSalma Hayek;

from-dusk-till-dawn

First credited collaboration of Rodriguez with Tarantino (the first at the helm, the second at the writing desk) and a brilliant mash-up of genres: action/thriller and vampire splatter horror. In perfect Tarantino’s style the first part is extreme violence (the ordinary, “it’s a wolf eats wolf world” type) and verbal incontinence. The opening scene is a pearl, great introduction of characters! So the pace is set for a action/thriller and when you get comfortable and start to enjoy the ride..bam! Everything goes topsy-turvy and you are in a splatter horror with tons of vampires and an incredible body count. It is not everyone’s cup of tea, aficionados of the two genres might not like it but if you like Tarantino is a must-see movie. Suggested as an antidote to the excess of sugary films that will start to flood the cinemas but especially TV during the upcoming holiday season. —8/10

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Hitchcock

Director: Sacha Gervasi, Main Cast: Anthony HopkinsHelen MirrenScarlett JohanssonToni ColletteDanny Huston

A film about the making of a film and its creator(s): Psycho and Alfred Hitchcock. As the saying goes “behind every great man there is a great woman” and Hitchcock was no exception. Gervasi shows how his wife, Alma, has always played a cardinal role in creating his films. After three decades of  successfully working together, they embark  in their most ambitious project ever: adapting for the screen a novel about a serial killer with an unresolved Oedipus complex. Hitchcock is so committed that he decide to finance it himself when Paramount balks at the subject of the film. So he finds a suitable screenwriter and cast and begins shooting. When, tired of Alfred’s egocentrism and obsession with his leading ladies, Alma decides to ditch the production of Psycho and do her own thing, the master starts to unravel and the first cut of the film is a disaster. Well, we all know how it ends, since we saw Psycho. Needless to say Hopkins is quite up to the task in portraying this larger than life character (accent, mannerism, body language, etc) but the one who really carries the movie on her shoulder is Helen Mirren, absolutely brilliant as Alma. All the supporting cast does a great job but special kudos to Toni Collette.  —7.5/10

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Pacific Rim

Director:  Guillermo del Toro, Main Cast: Idris ElbaCharlie HunnamRinko Kikuchi

I completely understand del Toro for wanting to make this film, I also grew up watching tons of Japanese anime with giant robots that beat the crap out of alien monsters/robots, so my inner eight-year old was giddy at the idea. Multi-million visual and special effects notwithstanding, we were both disappointed (my inner child and I). I didn’t appreciated the weak script, the inconsistencies of the plot and the super-cliched story arc of our hero: young and over-confident fighter, brought back to the harsh reality of life by tragedy, reluctant comeback after years of obscurity and finally saving the world…well, nothing new under the sun. My inner child instead was really upset by the abysmally poor tactics and the overall strategy in fighting the monsters (kaiju = monster in Japanese filmography…as much creativity as calling the first satellite in human history “sputnik”). What’s with the fist fights and low-performing energy beams….seriously?! Where are the atomic punch, the thunder break or the double harken? Our heros remember halfway through a fight that they have a much more effective sword…what the hell? Why not use it right away instead of a freight ship as a cudgel? And why always wait for the kaiju to come and destroy cities instead of meeting them in the middle of the Pacific where the inter-dimensional portal is? I won’t even talk about the pseudoscience or the lamest speech a la “Saint Crispin’s Day” since Independence Day. Anyway, del Toro is already planning a sequel, so I hope that he will refresh his memory watching some episodes of Mazinger Z, Great Mazinger or Grendizer. Try, try again, fail, fail better.–4/10

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The Secret World of Arrietty

Director: Hiromasa Yonebayashi, Main Cast (voices):Bridgit MendlerAmy PoehlerWill ArnettDavid Henrie;

secret-world-of-arrietty

Notwithstanding the fact that he is not directing, this is still a Miyazaki’s story:  a boy and a girl meet and help each other, forming a deep bond in the meantime. This time, however, she is Tinker Bell’s size and she is a “borrower”, little people that take from the house of human beings where they live only what they need. Well, this is the first thing that left me a little nonplussed: borrowers are supposed to stay hidden and get from the humans the bare necessities…they are not very good at it and it looks like they splash out on their house, it reminds me of a hobbit’s hole. The other problem is the supporting characters (Arrietty’s parents, the housekeeper, the aunt) are too much Miyazaki’s stereotypes, nothing really new or endearing. The last issue I have with this film is the voice-over at the end, apparently it is only in the US version, too much Blade Runner theatrical release for my taste…I tend to prefer the director’s cut. So, as a fan of Miyazaki, I am somewhat disappointed, I had high expectations. The silver lining is the brief participation of a Jimsy-like borrower, really loved that. —5.5/10

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Drift

Directors:Ben NottMorgan O’Neill, Main Cast: Myles PollardXavier SamuelSam Worthington

I like Aussie movies and surf movies and this is a nice combination. A bromance in the sixties/seventies and the origin of surf gear labels in Western Australia. There are all the cliches: strife and reconciliation between the brothers, the hot but tough girl for whom both brothers fall, the Man and living outside society, the hippie/spirit guide guy who ends up saving the day (kind of a long cameo of Sam Worthington), etc. It is not Big Wednesday but, even with all its flaws, it is quite enjoyable and the cast does an honest job. The scenery, the atmosphere and water scenes are compelling. —6.5/10

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Oldies but goldies: Say Anything (1989)

Director: Cameron Crowe, Main Cast: John CusackIone SkyeJohn MahoneyLili Taylor;

say-anything

This is a classic romcom, quoted throughout the years in movies and tv-shows, but it is also a honest look on first love and teenagers. Cameron Crowe’s first effort as director/writer  is sweet, compelling and accurate. John Cusack is perfect as Lloyd and there are memorable scenes: anything involving Lili Taylor, Gas ‘n’ Sip guys and, of course, Lloyd holding the boombox playing “In your eyes”.  Heartwarming–7.5/10

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Oldies but goldies: Dirty Dancing (1987)

Director: Emile Ardolino, Main Cast: Patrick SwayzeJennifer GreyJerry Orbach;

Dirty-dancing-corner

Sometimes is nice to go back and re-watch the classics and this is a great example of a quality chick-flick: girl meets boy from a different world, they dance and they fall in love. The world conspires to keep them apart but they fight to be together. Happy ending, great soundtrack and dance numbers, what more do you want?– 8/10

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Olympus Has Fallen

Director: Antoine Fuqua, Main Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman

Watching films requires willing suspension of disbelief, and action movies require quite a lot but…really?!? All the secret service agents of the White House are that dumb? And, moreover, they are swatted like flies so our hero can be the only one left standing and save the President, his son and the country…from the evil Korean mastermind (since the glasnost they are the new “evil empire”), whose plan has so many flaws that I don’t know where to begin. Antoine Fuqua had already a spotted record and this doesn’t help at all in my book. Watch Die Hard instead. —2/10

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The Kids Are All Right

Director: Lisa Cholodenko, Main Cast: Annette BeningJulianne MooreMark Ruffalo

The children of a lesbian couple, brother and sister, are curious about their “sperm donor”. When they finally meet, he turns out to be an easy-going, charming guy but with a bit of a peter pan complex. His presence in their life upsets the family balance and drama ensues. The strong performance of the cast is not enough to make it a good movie, it seems a little ambivalent about the moral of the tale.– 6/10

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Blue Valentine

Director: Derek Cianfrance, Main cast: Ryan GoslingMichelle Williams and John Doman

My blueberry nights” meets “Leaving Las Vegas“…harrowing story of young love that doesn’t survive life. Well acted, it makes you believe the transformation of the characters. To the point — 8/10

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The Adjustment Bureau

Director: George Nolfi, Main cast:  Matt DamonEmily BluntAnthony Mackie and Terence Stamp

Destiny and chance in a sci-fi movie adapted from a Philip Dick’s short story. Our hero (Matt Damon, who else?) will fight against the titular Bureau for the love of his life. Terence Stamp is a little disappointing as “villain” and there’s an happy ending that doesn’t quite fit. The Chairman does root for “amor omnia vincit”. Nice special effects but it could have been better. — 6.5/10

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The Covenant

Director: Renny Harlin, Main cast: Steven StraitSebastian Stan and Toby Hemingway

Same as Twilight but with witches, well, I should say warlocks. No shiny/glittery white skin and promises of undying love (thank god!) and some nice atmosphere a la “turn of the screw”. Plus Steven Strait is a better eye candy than Robert Pattinson. — 6/10

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The Eagle

Director:  Kevin Macdonald, Main cast: Channing TatumJamie Bell and Donald Sutherland

What’s with Hollywood and its fixation for the “lost” ninth legion? Anyway another story about it, this time focused on restoring lost honour and unlikely friendship between a roman citizen and a slave (yeah, right!). Watch “Centurion“, it’s much better. — 5/10

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